The Book Thief, Film Tie-In

DEATH AND CHOCOLATE


First the colors.
Then the humans.
That's usually how I see things.
Or at least, how I try.


***HERE IS A SMALL FACT  ***
You are going to die.


I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.


***Reaction to the  ***
AFOREMENTIONED fact
Does this worry you?
I urge you--don't be afraid.
I'm nothing if not fair.


--Of course, an introduction.
A beginning.
Where are my manners?
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps.
The question is, what color will everything be at that moment when I come for you? What will the sky be saying?
Personally, I like a chocolate-colored sky. Dark, dark chocolate. People say it suits me. I do, however, try to enjoy every color I see--the whole spectrum. A billion or so flavors, none of them quite the same, and a sky to slowly suck on. It takes the edge off the stress. It helps me relax.


***A SMALL THEORY  ***
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations, with each passing

Markus Zusak

Brilliant and hugely ambitious Some will argue that a book so difficult and sad may not be appropriate for teenage readers Adults will probably like it (this one did), but it s a great young-adult novel It s the kind of book that can be life-changing, because without ever denying the essential amorality and randomness of the natural order, The Book Thief offers us a believable hard-won hope The hope we see in Liesel is unassailable, the kind you can hang on to in the midst of poverty and war and violence. Young readers need such alternatives to ideological rigidity, and such explorations of how stories matter. And so, come to think of it, do adults.  -New York Times

"The Book Thief is unsettling and unsentimental, yet ultimately poetic. Its grimness and tragedy run through the reader's mind like a black-and-white movie, bereft of the colors of life. Zusak may not have lived under Nazi domination, but The Book Thief deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank and Elie Wiesel's Night. It seems poised to become a classic." -USA Today

"Zusak doesn t sugarcoat anything, but he makes his ostensibly gloomy subject bearable the same way Kurt Vonnegut did in Slaughterhouse-Five: with grim, darkly consoling humor.  -Time Magazine

"Elegant, philosophical and moving...Beautiful and important." -Kirkus Reviews, Starred

"This hefty volume is an achievement...a challenging book in both length and subject..." -Publisher's Weekly, Starred 

"One of the most highly anticipated young-adult books in years." -The Wall Street Journal

"Exquisitely written and memorably populated, Zusak's poignant tribute to words, survival, and their curiously inevitable entwinement is a tour de force to be not just read but inhabited." -The Horn Book Magazine, Starred

"An extraordinary narrative." -SLJ, Starred